Presenting Amazing Adventures: An Exhibition of Art Inspired by the Works of Jules Verne. We’re partnering up with the Little Chimp Society again to bring our members the opportunity to be part of an exclusive exhibition and publication next April in London. The show will feature original works and high quality digital prints from our international community of talented illustrators, traditional and digital artists.
All of the artwork will be influenced by the Voyages extraordinaires series of novels by author Jules Verne: 20,000 Leagues Under the Sea, Round the World in 80 Days and so on. This will be our first event where works are being produced specifically for the show, if you don’t count our involvement with Mail Me Art many years ago, and we’re really excited about it. So excited in fact, that our recent Artist in Residence Tom Martin has already produced a Jules Verne-inspired spot illustration for us for this very blog post – we can’t wait to see what our other illustrators create as well!
A special members’ update email will be sent out in the next few days with instructions on how to sign up for the show, and the requirements. We’ll also get events pages up on Facebook and Eventbrite as the gallery is already locked down and there’s no point in wasting time… and when it comes to the show, we’re hoping to see as many of you there as possible. It should be a fantastic event!
If you don’t want to miss out on future updates, make sure you’re signed up for our email newsletter and following our Facebook or Twitter accounts. Also if you have any questions or just want to say hello, leave a comment below.
Over the previous month of October, we had our first ever Artist in Residence (AiR), Tom Martin – or more accurately, Artist in virtual Residence! This has been something new we had wanted to try out for a long time and we’re very glad that Tom was kind enough to come along for the ride.
The residency involved one of our members (Tom) fulfilling our illustration needs over the period of one month. You would have thought finding an illustrator would have been an easy task for us, but things aren’t always that simple. Our first problem was that any artwork produced would need to appeal to our members and also draw in a wide audience of art directors and commissioners, so we didn’t want to go for anything too niche or risqué. Secondly, and most importantly, we needed to take into consideration that whoever we worked with would be a full-time freelance illustrator and we didn’t want them to be turning down commissions due to being too busy with working on pieces for us. You need to remember that part of our commitment to our members is that we’re constantly networking and finding them new opportunities and connections, so making sure that whoever was our AiR could handle the additional workload was essential.
When we asked Tom if he was interested in being our first AiR, we hadn’t quite ironed out all of the details, so there was some trial and error, but essentially we gave Tom directions and then allowed him to guide us. It was a misstep that we had Tom creating Halloween artwork for us in October that would be turned into physical items at some point, as lead time hadn’t been taken into consideration with all the excitement. There was no real need to worry about that though, as we’ll be getting the stickers and pins made up for April to show people at our next exhibition and we’ll have plenty in stock to give away as promo items to lucky clients when next October comes around. However with that in mind, from now on if an artist is working on something seasonal for us, we’ll get them to do it one or two months beforehand.
We really can’t wait to have the pins and stickers made and in our hands! The artwork looks great and we’re really pleased with the website background that Tom created for us, it’s brilliant! There were several other images that he created for us as well, two of them specifically for future posts on this very blog. You’ll have to keep an eye out for them.
We love Halloween and we hope you do to. It definitely tops Christmas when it comes to festive holidays. To celebrate, here is a selection of all of our members’ spooky posts from the last week to today.
We found out a little while ago that HAI member, children’s artist Rachelle Meyer, was going to the 2016 Frankfurt Book Fair and we asked her if she’d be kind enough to report back to us after the event. We felt it would be a good opportunity for Rachelle to share her experience via the staff blog. – Darren Di Lieto
I went to the Frankfurt Buchmesse with few expectations and lots of curiosity. I’ve been to the Bologna Children’s Book Fair many times and what I kept hearing was that in comparison, the Frankfurt Book Fair is huge and overwhelming. I had three days, a few appointments, an iPhone, and a sketchbook. I made a point of exploring beyond the English-language and European halls where I already had appointments to find unfamiliar faces and new experiences.
I can’t say for sure if my observations are the typical visitor experience or simply what I’m drawn to based on my personal preferences. My feeling about the trends in publishing is that there are more books now which are personal, political and hand-crafted. There was an entire stand devoted to the independent voices of INDIECON, with zines available for purchase on site. I bought this lovely comic by Tine Fetz. The side-stapled comic had crop lines still visible on many pages, which I found quite charming and added to its indy credentials.
Nils Oskamp’s excellent process sketches for his graphic novel, Drei Steine, drew me into the booth for the Amadeu Antonio Foundation. It was refreshing and empowering to speak to people who ardently want to make a difference in the world.
I loved the textural richness of the crafted books. Take, for example XY Printing Group‘s folded accordion style book which was illustrated entirely with paper cuts. It’s a gorgeous retelling by Anne Montbarbon of the traditional Three Little Pigs story. The hand-printed pages at Tara Books smelled so delicious from the inks they used. In addition the Flanders and the Netherlands (99 Flemish and Dutch authors and artists from every genre) were the guests of honor this year and in the guest pavilion, you could snag a beautiful limited-edition Parade magazine. Another nice detail was the Happy Hour, hosted by the Netherlands and Flanders, which featured typical Dutch/Flemish treats like mini-beers and tiny bowls of french fries with mayo.
To prepare for the book fair, I reached out to my publishing contacts and printed up a new batch of cards for distribution. Once there, I had a meeting that led to a new assignment and I also received an email from a publisher I had worked with before. The publisher had received my promotional postcard at just the right time to offer me a new project, showing in my opinion that my advertising was paying off. As a working illustrator, the fair was not just inspiring, but also rewarding from a financial and professional standpoint.
Chatting with people from the IO (German Illustratoren Organisation) left me feeling energized and hopeful about our direction and place in the industry. They’ve been around for ten years and have grown exponentially in this relatively short time. With these sort of positive communities and support bases, we have a greater chance of setting better terms for illustrators and making the industry we work in, work for us.
I don’t know if I’ll go every year, but it was a very rewarding trip and I’ll definitely go again. – Rachelle Meyer (professional illustrator)
If you attended this year, say hello, share your experiences or leave a comment in the section below, as we’d love to hear from you. For information about Frankfurt Buchmesse 2017, please visit buchmesse.de
Following on from the recent redesign and rejuvenation of our website, we’ve continued to make modifications as the dust has settled and we’ve seen what worked and what needed to be changed. Our first stop was a small modification to our search criteria that should have a big impact on usability. When the redesign was launched we suddenly allowed all of our members to select a job title from a predetermined list and this was then searchable on our search pages. This didn’t work as the majority decided they want to just be called an illustrator, so now the job title is no longer searchable, but is displayed in their portfolios next to their name. What has been added to replace the search aspect are two searchable job descriptions. This should allow members to add the terms that help people find them without feeling they need to keep their options open by not committing to a specific title. This change in the options available to our members and within search system inspired a blog post I wrote about job titles for the LCS a few days ago. Read: Finding your niche as an illustrator!
As a side note: Since the redesign had been a longtime coming, I decided early on I would try to remove as much of the 9 years worth of bloat as possible. I may have gone a bit too far. Information about our postcard printing and mailers has now been re-added to the members’ administration along with a viewable archive of all the previous member-only updates. A new addition though is a series of downloadable and useful content that should be in every freelance illustrators’ digital toolbox. If you’re a member, login and have a look. I think you’ll be pleasantly surprised.
After doing a limited soft launch of our new website last Monday, everything seems to have gone well. So, today we’re rolling out our new site to everyone! Our new site includes improved portfolios and search options, plus we’ve gone fully responsive. Which means all of you who’ve struggled to use our site on your mobiles need struggle no longer. One of the biggest improvements to the site is that it’s now blazing fast; we’ve utilised all of the latest technology to make it as fast as humanly possible.
For our members, our dated administration has also had an overhaul to make it easier than ever to manage your profile and add new work. You may have also noticed we’ve increased the sizes of your images too.
To top off the launching of the new website, we’ve also got a new logo. It’s not a million miles from our old logo as there’s no need to change something if it works. We’ve just had it fine-tuned and embraced what it means to be an illustrator.
We all love a good deal or bargain, and this is why HAI has teamed up with a number of reputable companies and organisations to bring our members some very nice discounts. On your behalf we’ve negotiated deals on screen printing, on and offline art-related educational courses, merchandise and hosting. All our members need to do is visit our discount page while logged into their account to reveal the discount codes.
We’re always on the look out for new discounts and offers that we can arrange for our members, which means we’re going to be constantly updating the discount page as new partnerships are formed. So keep an eye on it and check back from time to time.
If you’re one of the companies or organisations offering us a discount on one of your products, thank you kindly.
We’re always making updates on the site and with the service for members of Hire an Illustrator, but when it comes to adding or removing the categories our illustrators use to define themselves on the site it’s actually quite a big deal. We never add new categories lightly and normally only when there’s enough demand from clients for them. Over the last 12 months we’ve found there have been more and more job requests asking for the following three areas:
Dark & Otherworldly or Surreal
Anime & Manga
Retro, Vintage & Antique
So from today, our illustrators can add themselves to one of these categories if that’s what their artwork fits into and clients can now do searches based on those areas.
So, it’s been a couple of weeks now since we were in London with the Little Chimp Society for the Showcase 100 exhibition. The dust has finally settled and we’re pretty much back to normal here now (or as normal as things ever get!) 🙂 We had a fab week and a really good night on the Thursday for the private view – it was wonderful to meet everyone and we’d like to thank you all again for coming. It was very busy and we certainly had a great time – we hope you did too!
The Framer’s Gallery were wonderful yet again (the LCS held the last Mail Me Art show there) and it’s definitely our favourite venue in town for this kind of thing. It’s easy to get to, everyone there is so helpful and the space itself is perfect for arty events of all sizes.
A number of the 100 prints were sold on the night, but the rest are now for sale in the LCS shop at £40, unframed. They are very high quality archival prints and there’s a wide range of subjects and styles, so there’s sure to be something to tickle your fancy. Can’t decide which one you want? Then why not buy the SC100 book and be able to peruse them all at your leisure? There are still some books available to buy here.
We hope to make Showcase a two-yearly event, with the LCS continuing to run the project for HAI members. Being able to offer opportunities like this to our members is really important to us. It adds an extra dimension to our community and provides the chance to meet-up with people and celebrate the wonderful illustrations that they create.
Finally, a special thank you is in order to the lovely Eleanor, who travelled down from the Midlands for some gallery experience and did a sterling job taking photos on the Thursday night!
There’s only three days left until the Showcase 100 exhibition at the Framer’s Gallery in London. There’s still lots to do, but it’s always exciting being part of a show like this. Showcase 100, in case you don’t know, has been run for our members by the Little Chimp Society (LCS) and consists of 100 illustrations that have been selected for the show and book by our panel of judges. All of the illustrations have been framed as high-quality, archival prints and will be for sale at the show. There’s a wide range of artwork created by an equally wide variety of illustrators, so there should be something for everyone.
The accompanying Showcase 100 publication, featuring all 100 final illustrations along with lots of sketches and notes about the artwork, will also be available to buy at the exhibition as well as online from the LCS shop.
The show runs from 7th – 11th April and the ‘private’ view is on Thursday 9th April, 6 – 8pm. Everyone is welcome to come along on Thursday evening to join us for an evening of excellent artwork, free drinks and general natter. The gallery is located in the heart of Fitzrovia and is easy to get to, with Goodge Street and Tottenham Court Road tube stations only a few minutes walk away.
Thursday 9th April 6pm – 8pm The Framer’s Gallery
36 Windmill Street
London, W1T 2JT